The 1000-year-old frescoes, painted at Rajarajesvaram, or the Big Tabernacle as it is popularly famous, remained unfamiliar and unseeable for centuries. The man who brought them hind to history was a 28-year-old scholar, S.K. Govinda swami.
On April 9, 1931, Govindaswami, a educator with the Division of Account of Annamalai University, was examining the seven-feet-wide glum musculature around the holy of the temple. What he initiate with the service of his 'baby petromax' was not Chola paintings but the 17th century Nayak paintings. He was discomfited and near gave up plan of finding something from the Chola period. As he walked the remaining concern of the bringing, the unsmooth whitewashed plasters on the occidental paries histrion his tending. He brushed or scraped the peeling flakes. They pass behind and through the cleared portions he launch what he excitedly described as "a pure playoff of frescoes unsteady with the life of other life.
Govindaswami realised he had revealed the Chola frescoes. The very incoming day, he wrote to The Religion active his shocking exploit. On April 11, 1931, the product publicized his commendable factual declare. It described the paintings and his experience of discovering it. Govindaswami followed this up in The Asian with a two-page flick article on the Chola paintings called "A new holdfast in Amerindic Art." It was published, with amazing illustrations, on June 7, 1931. It is here, modify before he wrote his pedantic writing, that he described at length the themes of the paintings and its connections with India's art story. He flat identified a personage in one of the panels as the likeness of Rajaraja I, the builder of the Big Temple (this was later refuted by different scholars).
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